Martin Johnson Heade

American Hudson River School Painter, 1819-1904 Martin Johnson Heade (August 11, 1819-September 4, 1904) was a prolific American painter known for his salt marsh landscapes, seascapes, portraits of tropical birds, and still lifes. His painting style and subject matter, while derived from the romanticism of the time, is regarded by art historians as a significant departure from that of his peers. Art historians have come to disagree with the common view that Heade is a Hudson River School painter, a view given wide currency by Heade's inclusion in a landmark exhibition of Hudson River School landscapes at the Metropolitan Museum of Art in 1987. The leading Heade scholar and author of Heade's catalogue raisonn??, Theodore E. Stebbins, Jr., wrote some years after the 1987 Hudson River School exhibition that "...other scholars??myself included??have increasingly come to doubt that Heade is most usefully seen as standing within that school." According to the Heade catalogue raisonn??, only around 40 percent of his paintings were landscapes. The remaining majority were still lifes, paintings of birds, and portraits, subjects unrelated to the Hudson River School. Of Heade's landscapes, perhaps only 25 percent were painted of traditional Hudson River School subject matter. Heade had less interest in topographically accurate views than the Hudson River painters, and instead focused on mood and the effects of light. Stebbins writes, "If the paintings of the shore as well as the more conventional compositions...might lead one to think of Heade as a Hudson River School painter, the [marsh scenes] make it clear that he was not."


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Martin Johnson Heade Spouting Rock, Newport oil


Spouting Rock, Newport
Painting ID::  92405
Spouting Rock, Newport
Date 1862(1862) Medium oil on canvas Dimensions Height: 64 cm (25.2 in). Width: 127 cm (50 in). ttd
   
   
     

Martin Johnson Heade Haystacks oil


Haystacks
Painting ID::  92665
Haystacks
c. 1876-82 Medium oil on canvas Dimensions 8 x 16 in. (20.3 x 40.6 cm) cjr
   
   
     

Martin Johnson Heade Two Cattle in a Field oil


Two Cattle in a Field
Painting ID::  93344
Two Cattle in a Field
1869(1869) Medium oil on canvas Dimensions 14 3/8" x 30 1/4" cjr
   
   
     

Martin Johnson Heade A Vase of Corn Lilies and Heliotrope oil


A Vase of Corn Lilies and Heliotrope
Painting ID::  94083
A Vase of Corn Lilies and Heliotrope
1863(1863) Medium oil on canvas Dimensions 41.6 x 31.4 cm (16.4 x 12.4 in) cjr
   
   
     

Martin Johnson Heade Cattleya Orchid and Three Hummingbirds oil


Cattleya Orchid and Three Hummingbirds
Painting ID::  95053
Cattleya Orchid and Three Hummingbirds
1871 Type oil on mahogany panel Dimensions 34.8 cm x 45.6 cm cyf
   
   
     

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     Martin Johnson Heade
     American Hudson River School Painter, 1819-1904 Martin Johnson Heade (August 11, 1819-September 4, 1904) was a prolific American painter known for his salt marsh landscapes, seascapes, portraits of tropical birds, and still lifes. His painting style and subject matter, while derived from the romanticism of the time, is regarded by art historians as a significant departure from that of his peers. Art historians have come to disagree with the common view that Heade is a Hudson River School painter, a view given wide currency by Heade's inclusion in a landmark exhibition of Hudson River School landscapes at the Metropolitan Museum of Art in 1987. The leading Heade scholar and author of Heade's catalogue raisonn??, Theodore E. Stebbins, Jr., wrote some years after the 1987 Hudson River School exhibition that "...other scholars??myself included??have increasingly come to doubt that Heade is most usefully seen as standing within that school." According to the Heade catalogue raisonn??, only around 40 percent of his paintings were landscapes. The remaining majority were still lifes, paintings of birds, and portraits, subjects unrelated to the Hudson River School. Of Heade's landscapes, perhaps only 25 percent were painted of traditional Hudson River School subject matter. Heade had less interest in topographically accurate views than the Hudson River painters, and instead focused on mood and the effects of light. Stebbins writes, "If the paintings of the shore as well as the more conventional compositions...might lead one to think of Heade as a Hudson River School painter, the [marsh scenes] make it clear that he was not."

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